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An Artist in Residence on A.I.'s Territory - The New York Times

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At a reception for OpenAI’s first developer conference in San Francisco last month, a crowd mingled, wine in hand, as withering criticism of art created with artificial intelligence flashed on a blue wall at the front of the room. “I’ve seen more engaging art from a malfunctioning printer,” one critic jabbed. “The fine-art equivalent of elevator music,” huffed another. “Inoffensive, unmemorable and terminally dull.”

It might seem an odd strategy for OpenAI, the company behind widely used generative A.I. tools like ChatGPT and DALL-E, to promote scorn of A.I. art, until you catch the twist: A.I. itself wrote the criticism. Alexander Reben, the M.I.T.-educated artist behind the presentation, combined his own custom code with GPT-4, a version of the large language model that powers the ChatGPT online chatbot.

Next month, Mr. Reben, 38, will become OpenAI’s first artist in residence. He steps in as generative A.I. advances at a head-spinning rate, with artists and writers trying to make sense of the possibilities and shifting implications. Some regard artificial intelligence as a powerful and innovative tool that can steer them in weird and wonderful directions. Others express outrage that A.I. is scraping their work from the internet to train systems without permission, compensation or credit.

A gallery holds various colorful paintings and sculptures.
Mr. Reben’s work, on display at the Crocker Art Museum in Sacramento, combines A.I. technology with physical art.Rozette Halvorson for The New York Times

In late November, a group of visual artists filed an amended copyright lawsuit against Stability AI, Midjourney and other makers of A.I. tools after a federal judge dismissed parts of the original complaint, which accused the companies of misusing the artists’ creations to train generative A.I systems. Mr. Reben said he couldn’t speak to the specifics of A.I. and the law, “but like with any new creative technology, the law needs to catch up to the unpredictable future.”

(The New York Times sued OpenAI and Microsoft for copyright infringement on Wednesday.)

Tech companies including Google, Autodesk and Microsoft have welcomed artists in residence. And for the last several years, artists have tested products like GPT and the DALL-E image generator, offering insight into the tools’ creative potential before their public release. But the OpenAI residency, which is giving Mr. Reben a front-row view of the company’s work, is a first for the start-up that is at the center of the debate over art and A.I.


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